FIRAT ERDIM
#215
Drawing
Whether with chisel, cast shadow, sprayed ink, or the towline of a kite, my practice examines the intersections of projection, place, and materiality to question axioms of architectural imagination. I read the “expanded field” between architecture, sculpture, and landscape as situating proto-architectural aesthetic practices in an implicitly cyclical cosmology of disassembly and assembly, and of the nomadic and the situated.
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